FAMOUS ARTIST Sergey Lukyanov

Original Portrait

‘’A true artist is not one who is inspired but one who inspires others.’’ Salvador Dalí

Lukyanov S. Born in 1964 in the city of Necklace, Moscow Region. In 1988 he graduated from the Theater Art School in Moscow.He worked at the Moscow Art Institute. V.I. Surikova at the graphic department. Member of the Union of Artists of Russia.

Sergey Lukyanov – an artist whose creative development began in Moscow in the late 1980s . Hi, my name Sergey Lukyanov, and there are some facts about me: Sergey Lukyanov – an artist whose creative development began in Moscow in the late 1980s .

Moscow ‘ cultural field ‘ of that time , namely the Moscow underground (in particular a group of ‘ 20 Moscow Artists’ ) undoubtedly gave some impetus to his work . Images related to the topic of carnival, which abound canvases Lukyanov – an echo of that ‘ karnavalizma ‘, which for the previous generation of artists was a means of realization of their world view , fundamentally different from the officially adopted and translated by socialist realism.

For the author , the creator in an era of full freedom of expression, ‘ carnivalization ‘ was a way to restore the aesthetic integrity of attitude , ability to establish communication material and the ideal body . A complex multi-layer fabric polifakturnoy painting of the artist is the plastic equivalent of a multi-level of human consciousness , seeking to understand the deeper meanings of life. Lyrical seemingly picture – parable Sergei Lukyanov fraught with hidden drama.

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They represent the philosophical reflections of the author of the travels with a heavy burden – a metaphor of our thoughts , desires , passions ( ‘He who has his every world.’ 2005 ‘ Wandering .’ 2003), about the eternal quest for happiness that turn into our own Captivity ( ‘Blue Bird . ‘ 2005), a deep-rooted desire for freedom , understood as a return , the release from prison ( ‘ The Return ‘ . 2008 )

Well-designed pictorial plastic forms that create images of the human , birds, fish , etc. , according to the professional skill of the artist and his connection with the art of visual language of the classical tradition , in particular , the Italian Renaissance and the small Dutch . The characters are placed in a conditional timeless space that creates a sense of a home theater , the director of which is not only an artist but a spectator.

The author develops in detail the entire surface of the canvas, for it is not distracting details. The artist seeks to understand and streamline , expand ‘ on the shelves ‘, even that is an embodiment of the elements, such as the seasons or carnival ( ‘Architecture of winter.’ 2003 ‘Architecture Carnival ‘, 2008 , etc.). Surreal works of artist -designed self- generate symbolic reality. But the characters are read from Lukyanov not uniquely, but are disclosed in the vast field of associations – semantic , plastic and aesthetic . Through a character artist connects the earthly world and other worlds in order to understand ‘Secret Heart of Life.’ Images related to the topic of carnival, which abound canvases Lukyanov – an echo of that ‘ karnavalizma ‘, which for the previous generation of artists was a means of realization of their world view , fundamentally different from the officially adopted and translated by socialist realism .

For the author , the creator in an era of full freedom of expression, ‘ carnivalization ‘ was a way to restore the aesthetic integrity of attitude, ability to establish communication material and the ideal body . A complex multi-layer fabric polifakturnoy painting of the artist is the plastic equivalent of a multi-level of human consciousness , seeking to understand the deeper meanings of life. Lyrical seemingly picture – parable Sergei Lukyanov fraught with hidden drama.

They represent the philosophical reflections of the author of the travels with a heavy burden – a metaphor of our thoughts , desires , passions ( ‘He who has his every world.’ 2005 ‘ Wandering .’ 2003), about the eternal quest for happiness that turn into our own Captivity ( ‘Blue Bird . ‘ 2005), a deep-rooted desire for freedom , understood as a return , the release from prison ( ‘ The Return ‘ . 2008 ) . Well-designed pictorial plastic forms that create images of the human , birds, fish , etc. , according to the professional skill of the artist and his connection with the art of visual language of the classical tradition , in particular , the Italian Renaissance and the small Dutch . The characters are placed in a conditional timeless space that creates a sense of a home theater , the director of which is not only an artist but a spectator. The author develops in detail the entire surface of the canvas, for it is not distracting details. The artist seeks to understand and streamline , expand ‘ on the shelves ‘, even that is an embodiment of the elements, such as the seasons or carnival ( ‘Architecture of winter.’ 2003 ‘Architecture Carnival ‘, 2008, etc.). Surreal works of artist-designed self- generate symbolic reality. But the characters are read from Lukyanov not uniquely but are disclosed in the vast field of associations – semantic, plastic, and aesthetic.

Through a character, artist connects the earthly world and other worlds in order to understand ‘Secret Heart of Life.

The Observer

2001

The Traveler

2001

 

Ambivalence

2001

The Fowler 2

2001

The Fowler 1

2001