They represent the philosophical reflections of the author of the travels with a heavy burden – a metaphor of our thoughts , desires , passions ( ‘He who has his every world.’ 2005 ‘ Wandering .’ 2003), about the eternal quest for happiness that turn into our own Captivity ( ‘Blue Bird . ‘ 2005), a deep-rooted desire for freedom , understood as a return , the release from prison ( ‘ The Return ‘ . 2008 )

Well-designed pictorial plastic forms that create images of the human , birds, fish , etc. , according to the professional skill of the artist and his connection with the art of visual language of the classical tradition , in particular , the Italian Renaissance and the small Dutch . The characters are placed in a conditional timeless space that creates a sense of a home theater , the director of which is not only an artist but a spectator.

The author develops in detail the entire surface of the canvas, for it is not distracting details. The artist seeks to understand and streamline , expand ‘ on the shelves ‘, even that is an embodiment of the elements, such as the seasons or carnival ( ‘Architecture of winter.’ 2003 ‘Architecture Carnival ‘, 2008 , etc.). Surreal works of artist -designed self- generate symbolic reality. But the characters are read from Lukyanov not uniquely, but are disclosed in the vast field of associations – semantic , plastic and aesthetic . Through a character artist connects the earthly world and other worlds in order to understand ‘Secret Heart of Life.’ Images related to the topic of carnival, which abound canvases Lukyanov – an echo of that ‘ karnavalizma ‘, which for the previous generation of artists was a means of realization of their world view , fundamentally different from the officially adopted and translated by socialist realism .

For the author , the creator in an era of full freedom of expression, ‘ carnivalization ‘ was a way to restore the aesthetic integrity of attitude, ability to establish communication material and the ideal body . A complex multi-layer fabric polifakturnoy painting of the artist is the plastic equivalent of a multi-level of human consciousness , seeking to understand the deeper meanings of life. Lyrical seemingly picture – parable Sergei Lukyanov fraught with hidden drama.

They represent the philosophical reflections of the author of the travels with a heavy burden – a metaphor of our thoughts , desires , passions ( ‘He who has his every world.’ 2005 ‘ Wandering .’ 2003), about the eternal quest for happiness that turn into our own Captivity ( ‘Blue Bird . ‘ 2005), a deep-rooted desire for freedom , understood as a return , the release from prison ( ‘ The Return ‘ . 2008 ) . Well-designed pictorial plastic forms that create images of the human , birds, fish , etc. , according to the professional skill of the artist and his connection with the art of visual language of the classical tradition , in particular , the Italian Renaissance and the small Dutch . The characters are placed in a conditional timeless space that creates a sense of a home theater , the director of which is not only an artist but a spectator. The author develops in detail the entire surface of the canvas, for it is not distracting details. The artist seeks to understand and streamline , expand ‘ on the shelves ‘, even that is an embodiment of the elements, such as the seasons or carnival ( ‘Architecture of winter.’ 2003 ‘Architecture Carnival ‘, 2008, etc.). Surreal works of artist-designed self- generate symbolic reality. But the characters are read from Lukyanov not uniquely but are disclosed in the vast field of associations – semantic, plastic, and aesthetic.

Through a character, artist connects the earthly world and other worlds in order to understand ‘Secret Heart of Life.